176 Log 240729 Reise UK - Tonbandmaschine und Stimme

176 Log 240729 Reise UK

Separate Logbücher zu
Trévor Wishart, York
Lily Greenham
Bob Cobbing

BBC Written Archives Centre in Reading

Daphne Oram Archiv Goldsmith University in London
The Daphne Oram Collection is sited in the Special Collections & Archives, Goldsmiths, University of London E14 6NW.
Access is by appointment only.
Search the recordings available in the collection
B ook a visit the Special Collections & Archives, Goldsmiths Library, University of London

„…Daphne Oram über praktische Erfahrung mit elektroakustischer Komposition. Zwar hatte sie eine technische Ausbildung an der BBC absolviert, besass jedoch auch einen musikalischen Hintergrund: Als Jugendliche hatte sie Klavier gespielt, sich aber für eine technische statt musikalische Ausbildung entschieden. Neben ihrer Anstellung an der BBC war sie als Komponistin tätig: Ende der 1940er-Jahre experimentierte sie laut eigener Berichte im privaten Rahmen mit dem Tonbandgerät. 1949 komponierte sie ein Stück für zwei Orchester, fünf Mikrophone und manipulierte Aufnahmen und reichte dieses 1950 bei der Musikabteilung der BBC ein – jedoch ohne Erfolg“

Vgl. Oram, Daphne: „Daphne Oram 3. January 1983 – Daphne Oram’s BBC career as it relates to…“, 3.1.1983, Daphne Oram Collection, Goldsmith University London ORAM3/5 – The Radiophonic Workshop – The first 25 years, 1982-1983, S. 1. (Eichenberger 2021:51)

240810
«Europe has produced sound poets in the persons of Greta Monach (Netherlands) and Katalin Ladik (Hungary), who released an EP of her work, «Phonopoetica», in 1976. In England, Paula Claire has been working with improvisational sound since the 1960s. Lily Greenham, born in Vienna in 1924 and later based in Denmark, Paris and London, developed a so-called neo-semantic approach during the 1970s. She coined the term ‹Lingual Music› to describe her electroacoustic experiments with tape recordings of her voice. During the 1950s she became involved with the Wiener Gruppe (Vienna Group) and was an accomplished performer of sound & concrete poetry by many artists such as Alain Arias-Misson, Bob Cobbing, Gerhard Rühm, and Ernst Jandl. This was due in part to her training as an operatic singer and the fact that she was fluent in eight languages. Lingual Music, a double CD collection of her work, was released posthumously in 2007 by Paradigm Discs in the UK. Her archive is now held at Goldsmiths, University of London.» (Zit n. Sound Poetry)

Sound Poetry UK
A wide-ranging survey of British sound poets and artists from the 1960s to the present, featuring Bob Cobbing, Neil Mills, Liliy Greenham, Chirstopher Logue, Ann Laplantine, and more.

Delia Derbyshire
Archiv von Delia Derbyshire an der John Rylands Research Instutut and Library in Manchester

Katalin Ladik (born Újvidék, 25 October 1942) is a Hungarian poet, performance artist and actress. She was born in Újvidék, Kingdom of Hungary (today Novi Sad, Serbia), and in the last 20 years she has lived and worked alternately in Novi Sad, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments.
Katalin Ladic (facebook)

Poetry Foundation: The Women and the Avant-Garde (part 2)